ARDSLEY, NY (March 17, 2026) — Westchester County’s six public golf courses are scheduled to open for the 2026 season on Wednesday, March 25, weather and conditions permitting.
The county’s public courses include Dunwoodie and Sprain Lake in Yonkers, Maple Moor in White Plains, Saxon Woods in Scarsdale, Hudson Hills in Ossining and Mohansic in Yorktown Heights.
Westchester County Executive Ken Jenkins said the start of the season signals the return of golfers to the county’s courses.
“Spring in Westchester means it’s time to return to the fairways. Our six outstanding public courses provide exceptional playing conditions, scenic beauty and welcoming environments for golfers of every ability,” Jenkins said. “Whether you’re chasing a personal best, enjoying a relaxing round with friends or introducing someone new to the game, our courses deliver a first-class experience right here at home.”
Kathy O’Connor, commissioner of the Westchester County Department of Parks, Recreation and Conservation, said the golf season provides an opportunity for residents to enjoy the county’s outdoor spaces.
“Our golf season is about more than the game — it’s about community, fresh air and enjoying Westchester’s beautiful landscapes,” O’Connor said. “From rolling hills to expertly maintained greens, each course offers its own unique character and challenge. We look forward to welcoming golfers back for another exciting season.”
Tee time reservations may be made online for non-Park Pass holders or by calling the individual courses. Walk-up reservations will also be accepted.
All courses feature onsite restaurants, halfway houses and full-service pro shops. Driving ranges are available at Dunwoodie, Mohansic, Saxon Woods and Sprain Lake.
Any available E-Z Reserve spots will be sold at the courses. E-Z Reserve allows golfers with a Westchester County Park Pass to secure a regular Saturday or Sunday tee time for a period of 30 weeks.
More information or reservations are available through Westchester County Parks.
This article was prepared with the assistance of AI tools under the direction and editing of Robert Cox.